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Contrast The Elevation of the Cross by Rubens with Rembrandt s Return of the Prodigal Son.
Weegy: In the Elevation of the Cross, the figure of Christ is violently straining, countered by the straining figures in the foreground. One figure in the foreground is entering our space. [ The scene is again a frozen moment of tremendous action and drama. The energy and motion in this work is enhanced through Rubens' use of the diagonal line, and the theatrical lighting. Rubens was influenced by Caravaggio's use of tenebrism and ... (More)
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Asked 8/9/2012 5:20:33 PM
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The classical principle of contrapposto, or weight shift, was introduced into Western art by the sculptor__________________. (Points : 1) Ghiberti Verrocchio Pollaiuolo Donatello
Weegy: Classical contrapposto was revived in the Renaissance by the Italian artists Donatello and Leonardo da Vinci, followed by Michelangelo, Raphael and other artists of the High Renaissance. [ One of the major achievements of the Italian Renaissance was the re-discovery of contrapposto, although in Mannerism it became greatly over-used. ] (More)
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Asked 8/16/2012 4:00:32 PM
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The term terribilita is most often used to refer to_________________. (Points : 1) Leonardo da Vinci Michelangelo Raphael Andrea del Sarto
Weegy: Michelangelo. His contemporaries regarded him with awe, and the word terribilità, which may be translated as 'frightening power', was often applied to his work. (More)
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Asked 8/16/2012 4:14:37 PM
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The word Renaissance means re-birth. What was a revived interest during this time? (Points : 1) Hiberno-Saxon Manuscripts Classical culture Islamic culture Platonic interpretation of Christianity
Weegy: 2.The answer is: Classical culture User: How did Masaccio represent bulk for his figures in the Tribute Money? (Points : 1) Through modeling with a specific light source outside the picture Through modeling with a flat neutral light Through modeling with an identifiable light source within the picture Through modeling Weegy: The answer is: Through modeling with a specific light source outside the ... (More)
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Asked 8/16/2012 4:09:07 PM
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. What describes Michelangelo’s perspective of Baptistery doors? (Points : 1) He called them the Gates of Paradise. He called them the Gates of Florence. He called them the Gates of Pisa. He called them the Gates of Bruges.
Weegy: It is said that Michelangelo thought the doors so divine that he named them the 'gates of paradise'. (More)
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Asked 8/16/2012 4:21:21 PM
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